In the long heart-to-heart between the president and the Rolling Stone magazine editor, Obama recalls his encounter with the living legend, who played at the White House for “In Performance at the White House: A Celebration of Music from the Civil Rights Movement” in February:

“[Bob Dylan] wouldn’t come to the rehearsal; usually, all these guys are practicing before the set in the evening. He didn’t want to take a picture with me; usually all the talent is dying to take a picture with me and Michelle before the show, but he didn’t show up to that. He came in and played “The Times They Are A-Changin’.” A beautiful rendition. The guy is so steeped in this stuff that he can just come up with some new arrangement, and the song sounds completely different. Finishes the song, steps off the stage — I’m sitting right in the front row — comes up, shakes my hand, sort of tips his head, gives me just a little grin, and then leaves. And that was it — then he left. That was our only interaction with him.”

While Obama went on to say that Dylan was “exactly as you’d expect he would be,” for the ridiculed subculture meta-celebrity Dylanologist, A.J. Weberman, that behavior was just Dylan’s racism shifting from cryptic lyrics to cryptic gestures.

Having spent years laboriously decoding the messages hidden in Dylan’s songs and poems, Weberman says he’s seen an uncomfortable pattern, one that he says explains Dylan’s aloof behavior toward the president. (Weberman claims to have created and mastered the art of literally digging through Dylan’s garbage for evidence, “Garbology” to professionals.)

“[Dylan's] hatred for blacks seems to have overtaken his desire to, you know, receive this kind of prestigious welcome,” said Weberman, who also remarked that the mere appearance of Dylan at the Obama White House is insignificant.

“[Dylan will] show up for anybody, for the Pope, doesn’t really matter. He’s looking to add another notch to his career as a performer.”

In an interesting interview, Weberman methodically decoded several Dylan songs for TheDC, which he believes proves Dylan’s dislike of African Americans. The author of “The Lonesome Death of Hattie Carrol,” “The Hurricane,” and “The Times They Are A’ Changing,” is, says Weberman, a pretty big racist. You just have to read between the color lines.

For TheDC’s benefit, Weber interpreted revealing sections of Dylan’s autobiography Chronicles: Volume 1 and described several songs which support his “idea [that Dylan] doesn’t like blacks” before decoding the more popular song,”Subterranean Homesick Blues”:

And then I looked at another song, “Subterranean Homesick Blues,” where it’s also racist embedded meaning. And he says, “the pump don’t work, ’cause the vandals took the handles.” The pump, pumping money into the economy, giving blacks money, doesn’t work ‘cause the vandals, the liberals, took the handles. The ax handles, like Lester Maddox used to give out pickaxe handles in his chicken place to beat blacks so the whites can beat up blacks over the
head with them. Get it?



Read more: http://dailycaller.com/2010/10/01/one-infamous-dylanologist-says-dy...

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Comment by Jim Werbaneth on October 10, 2010 at 3:28pm
I figger that some academics just have too much tiome on their hands.
Comment by David Allen on October 5, 2010 at 2:18pm
"The Hurricane" a protest song, decrying the unjust conviction of Reuben Carter. Yep, Dylan's obviously a racist.
Comment by Jim Werbaneth on October 2, 2010 at 6:41pm
Hmmmm... And interesting verdict from the tea leaves...

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